The first roll of
film shot with the new Holga was uploaded to The Dark Room’s web site last
night and I am impressed. Even though I applied minimal tape and that only to
cover the film number window and to make sure the back didn’t fall off there
were no noticeable light leaks and the quality of the pictures was surprisingly
good.
The “soft” focus and
dreamy look associated with plastic lenses was there of course, along with the
trademark color shift and vignette effect at the corners. There is definitely
some undefinable characteristic about the unique “look” of the pictures that
just seems to charm the viewer into overlooking the imperfection and just
accepting the pictures for what they are – Holga!
Here is the Holga
shot I promised you in a previous post.
…and here is the same
scene shot using the 35mm Vivitar with the 50mm f1.7 lens.
Notice the difference
the square format versus rectangular format makes in the overall look. I
definitely like the Holga but I have to learn to get closer to my subject and
get used to composing the shot with a square format instead of the rectangle
format I have been shooting for most of my life. Of course, you can’t get too
close or else the subject will end up in the “blurry” areas around the edges of
the lens.
Both shots were were
made using Kodak Portra 400 and processed by The Dark Room.
More to come – I
guarantee!
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