I did a little research and discovered that back in the “old days”
it was common for portraits to be taken in a darkened room where the
photographer would open the lens, flash the composition using a flash bulb or some
other lighting device and then close the lens. The film was so slow that there
was little worry about remnant images immediately before or after the flash and
that was the only way to make sure the composition was flashed while the lens
was open.
Trying a little experiment of my own, I loaded my Holga with Kodak
Tri-x, mounted it on a tripod and turned out all the lights. Since it was also night
time it was very dark in the room. With my son posing in front of the camera I opened
the shutter on the bulb setting, flashed the small electronic flash a few feet
to the side of the camera and then closed the shutter.
What you see above is the results. The Holga lens definitely adds
to the “look” but the lighting is what really makes the photograph.
By comparison, the shot below was taken under the same
circumstances but the flash was mounted in the hot shoe and the shutter was
tripped in the usual manner.
Although this is an interesting photograph the subject appears washed out and the image is flat due to the proximity and the full frontal blast of light while the shadows in the first image provide depth. Aside from an experiment to establish what I have to do to use flash photography with vintage cameras that have no synchronization shutter speed, it’s also more evidence that off-camera flash is better in many ways than on camera flash – definitely something to keep in mind.
No comments:
Post a Comment